Jeffrey Neuman
Playwright, Dramaturg,
& Literary Events Coordinator
Stay tuned for some exciting 2021 playwriting information & announcements coming soon!
January 2021
Pen & Podium Virtual Season Announced
Though we are saddened by the fact that we will not be able to host live in-person events until at least late Fall of this year, The Denver Post is proud to present the 2021 Pen & Podium Series virtually, featuring five interview-style events with some of the world's most distinguished and thought-provoking writers. This year's authors are Timothy Egan, Marlon James, Yotam Ottolenghi, Tayari Jones, and Emma Donoghue. I am thrilled and delighted to announce that I will be hosting the one-on-one interview with Donoghue, whose books I've loved since I stumbled upon her novel Slammerkin over twenty years ago.
Tickets are $35 each. To purchase, click here or see below. All events will begin at 7:30 p.m. MDT. Running time is approximately 60 - 75 minutes. For more information on The Denver Post Pen & Podium Series, visit penandpodium.com/virtual2021 .
Tickets are $35 each. To purchase, click here or see below. All events will begin at 7:30 p.m. MDT. Running time is approximately 60 - 75 minutes. For more information on The Denver Post Pen & Podium Series, visit penandpodium.com/virtual2021 .
December 2020
Incessant Hum To Stream Online
I'm so thrilled that Incessant Hum is being made available virtually to celebrate Beethoven’s birthday! This music/theater hybrid was developed in such an environment of love, collaboration, and creativity, so please tune in on December 16, 19, or 20 to see Chris Kendall and Chelsea Frye's gorgeous performances, Mare Trevathan's skillful direction, and to hear the Colorado Chamber Players perform some of Beethoven’s most exquisite music. I think, too, that the whole piece has taken on new resonance and meaning in light of the pandemic, because it is about what we can truly stand to gain in the wake of incredible loss. Tickets available by clicking the photo above!
Pre-Order Your Copy of
Marginalia Today!
When I wrote Marginalia a couple of years ago, I had no idea the doors it would open, the friends it would bring into my life, or the joyful path it would take to production. It was just a short, prompt-based piece of theater writing about one of my favorite subjects — the power of books.
I’m so thrilled that this little book-loving play has been gifted a new way to reach audiences, appropriately, in book form! Marginalia will be included in Bite Size an anthology of micro plays written by Colorado-based playwrights, each of which was chosen for inclusion by Denver Center for the Performing Arts's Off-Center and staged at Denver’s BookBar.
BITE SIZE goes on sale on December 15 and you can pre-order your copy now, receiving a 10% discount with code BITESIZE10! All royalties from the book will benefit Denver Center for Performing Arts and, as you know, arts organizations have been hit very hard by the pandemic.
Order a copy today to support new playwrights, independent bookstores, and a major voice in regional theater. https://www.bookbardenver.com/bookbar-press
I’m so thrilled that this little book-loving play has been gifted a new way to reach audiences, appropriately, in book form! Marginalia will be included in Bite Size an anthology of micro plays written by Colorado-based playwrights, each of which was chosen for inclusion by Denver Center for the Performing Arts's Off-Center and staged at Denver’s BookBar.
BITE SIZE goes on sale on December 15 and you can pre-order your copy now, receiving a 10% discount with code BITESIZE10! All royalties from the book will benefit Denver Center for Performing Arts and, as you know, arts organizations have been hit very hard by the pandemic.
Order a copy today to support new playwrights, independent bookstores, and a major voice in regional theater. https://www.bookbardenver.com/bookbar-press
October 2020
THE SHELTER PLAYS, Stealing Sleep: Several months ago, when we were in the middle of our shelter in place mandate, I was invited to participate in a project called THE SHELTER PLAYS, which was designed to be a “collaboration of artists creating a new type of theatre when there was none to be found.”
I wrote a short play for the project called STEALING SLEEP that explores the strained crossroads of insomnia, intimacy, and isolation. SLEEP was turned into a beautiful little film starring two of Denver’s favorite actors, Andrew and Kelly Uhlenhopp. If you're looking for some entertainment in these still uncertain and largely-theaterless times, I encourage you to check out the Uhlenhopps lovely performance in my piece along with the other wonderful and diverse plays that are available for free at www.theshelterplays.com. STEALING SLEEP is available by clicking on the image below.
Please don't hesitate to contact me, too, if you have any questions about the project or would like to speak to the production team about bringing any of the SHELTER PLAYS to your theater.
I wrote a short play for the project called STEALING SLEEP that explores the strained crossroads of insomnia, intimacy, and isolation. SLEEP was turned into a beautiful little film starring two of Denver’s favorite actors, Andrew and Kelly Uhlenhopp. If you're looking for some entertainment in these still uncertain and largely-theaterless times, I encourage you to check out the Uhlenhopps lovely performance in my piece along with the other wonderful and diverse plays that are available for free at www.theshelterplays.com. STEALING SLEEP is available by clicking on the image below.
Please don't hesitate to contact me, too, if you have any questions about the project or would like to speak to the production team about bringing any of the SHELTER PLAYS to your theater.
July 2020
Pen & Podium: Michael Pollan: Like most of the world, Pen & Podium has moved to a virtual platform, though we have made every effort to keep our lectures dynamic, relevant, and commensurate with our live format. This was not just a Zoom conversation, but rather a carefully curated virtual event. Working in conjunction with a wonderful Colorado-based production company, we filmed our 2019-20 remaining season author conversation and broadcast the first, Michael Pollan, on Monday, July 20. Michael was a spectacular guest -- charming, insightful, intelligent, funny, and incredibly flexible given the novelty of this new format and everything it entailed. Moderated by Shelly Smith-Acuna, the conversation touched on everything from contemporary American food culture to participatory journalism to psychedelics to COVID-19. "Writing still matters," Michael told us. "You can still reach the culture and shift the conversation with a great number of words arranged very carefully."
May & June 2020
Stealing Sleep: I wish I could tell you that this pandemic has been, if nothing else, a fruitful and generative time for my writing. It has not. Like may artists, I'm struggling with inertia, confusion, and loss. I simply don't know what the future will hold for us as theater-makers and it has me in a place of uncertainty and stagnation. I want to create, to speak to what we, as fellow humans, are experiencing; but I have temporarily lost my voice, my vision, and my drive to do so. I've also, seemingly, lost my ability to sleep, which prompted me to dip my toe back into writing and, ironically, try to awaken my playwriting.
A few months ago, I saw a call for submissions related to the pandemic. I had no interest or desire to write a "pandemic play"; however, the prompt was loosey-goosey enough that it did stir my creative juices. Producer Andrew Brier asked playwrights to write short pieces that spoke to the theme of "Shelter in Place." The prompt made me think about my current situation, my sleeplessness, and I wrote a short play about the crossroads of intimacy, insomnia, and isolation called Stealing Sleep.
Though Brier is still trying to figure out the best path and use of the "Shelter" plays he's compiled, it looks as though he is packaging the pieces into a hybrid theater/film combo that will be presented as potential programming for production companies to produce as they re-open their spaces. Whatever the future holds for this project, I was absolutely delighted to see the script brought to life as a short film, starring two of my favorite Denver-based actors, Andrew and Kelly Uhlenhopp. Once I get the green light, I'll share this lovely little film with you all.
A few months ago, I saw a call for submissions related to the pandemic. I had no interest or desire to write a "pandemic play"; however, the prompt was loosey-goosey enough that it did stir my creative juices. Producer Andrew Brier asked playwrights to write short pieces that spoke to the theme of "Shelter in Place." The prompt made me think about my current situation, my sleeplessness, and I wrote a short play about the crossroads of intimacy, insomnia, and isolation called Stealing Sleep.
Though Brier is still trying to figure out the best path and use of the "Shelter" plays he's compiled, it looks as though he is packaging the pieces into a hybrid theater/film combo that will be presented as potential programming for production companies to produce as they re-open their spaces. Whatever the future holds for this project, I was absolutely delighted to see the script brought to life as a short film, starring two of my favorite Denver-based actors, Andrew and Kelly Uhlenhopp. Once I get the green light, I'll share this lovely little film with you all.
January 2020
Pen & Podium: Michael Ondaatje: On Monday, January 27, we had the distinct pleasure of hosting Michael Ondaatje on our P&P stage. Ironically, The English Patient author was feeling a bit under the weather; however, he persevered and gave a riveting lecture that touched on, among many other things, "blood dread" and "narrative ruthlessness." It was an exceptionally thoughtful talk about the craft of writing. "The first sentence of every novel, " he stated, "should be: Trust me, this will take time, but there is order here, very faint, very human. Meander if you want to get to town."
In 2020, as the world celebrates the 250th anniversary of Ludwig Van Beethoven’s birth, musical and historical organizations around the world are paying homage to the composer's life and legacy. I’m thrilled to have been invited to contribute to this worldwide celebration with Incessant Hum, a commission from the Colorado Chamber Players (www.coloradochamberplayers.org).
Incessant Hum is a music and theatre performance piece that explores the emotional world Beethoven navigated as he lost his hearing and his ability to perform as a pianist and a conductor. Directed by Mare Trevathan, starring Chris Kendall and Chelsea Frye, and featuring Andrew Cooperstock and the Colorado Chamber Players, Incessant Hum promises to be a dynamic and unique point of entry into the genius of Beethoven’s later works, all of which he wrote when he was deaf.
Working with this team of artists has been a rewarding collaborative experience that has allowed me to grow as a writer and further explore the terrain of living as an artist with hearing loss. I hope you’ll consider joining us for this exciting new work.
Press for Incessant Hum:
Westword: "Incessant Hum Explores Beethoven's Deafness and Music"
Daily Camera: "Beethoven’s resilience, despite deafness"
Incessant Hum is a music and theatre performance piece that explores the emotional world Beethoven navigated as he lost his hearing and his ability to perform as a pianist and a conductor. Directed by Mare Trevathan, starring Chris Kendall and Chelsea Frye, and featuring Andrew Cooperstock and the Colorado Chamber Players, Incessant Hum promises to be a dynamic and unique point of entry into the genius of Beethoven’s later works, all of which he wrote when he was deaf.
Working with this team of artists has been a rewarding collaborative experience that has allowed me to grow as a writer and further explore the terrain of living as an artist with hearing loss. I hope you’ll consider joining us for this exciting new work.
Press for Incessant Hum:
Westword: "Incessant Hum Explores Beethoven's Deafness and Music"
Daily Camera: "Beethoven’s resilience, despite deafness"
November 2019
Pen and Podium: Andrew Sean Greer: I don't think I've ever been as smitten with an author as I am with Andrew Sean Greer. Seriously. No, I mean … s.e.r.i.o.u.s.l.y! Like, if he'd asked me to run away with him, it totally might've happened.
😇
Hosting Andy on Monday evening was PURE JOY! What a lovely, kind, sweet, funny man. I've always been a great admirer of his lyrical, artful prose; now, I'm a great admirer of his beautiful, generous, light-filled personality. I just love it when an artist turns out to be as wonderful as the work they create.
😇
Hosting Andy on Monday evening was PURE JOY! What a lovely, kind, sweet, funny man. I've always been a great admirer of his lyrical, artful prose; now, I'm a great admirer of his beautiful, generous, light-filled personality. I just love it when an artist turns out to be as wonderful as the work they create.
On The Rocks -- Denver, Colorado: Six plays. Six playwrights with disabilities. Six human senses … yes, six. (Or perhaps more.) For the first time, Phamaly Theatre Company presents a one-act play festival featuring the work of playwrights with disabilities, with short plays that engage, explore, or challenge the human senses. The plays will be performed in uniquely interactive spaces at Denver’s RedLine Contemporary Art Center, and will feature the talents of Phamaly actors and various local directors.
For more information, please visit www.phamaly.org or click on the image to read "Uncommon Senses," a profile of the project at the DCPA News Center.
For more information, please visit www.phamaly.org or click on the image to read "Uncommon Senses," a profile of the project at the DCPA News Center.
October 2019
Sharing new work is a trust fall. It takes such courage and requires such vulnerability. This week of October 21, I got to see so many of my colleagues take that trust fall and I cannot tell you how much it amazes and inspires me as a writer and as a human being.
On Tuesday, October 22 I had the great pleasure of co-hosting another installment of Rough Draught Playwrights' Open Mic Theatrical Playground, where several of my incredibly talented friends, including Jessica Austgen and Frank Oteri, presented works-in-progress.
Then, from Thursday through Sunday, Benchmark Theatre produced its third annual Fever Dream Festival, a yearly celebration of science fiction, fantasy, and horror playwriting that I curate for the company. This year, we had over 400 submissions from all over the world and it was an exciting, eclectic mix of scripts that ultimately made it to our stage. The highlight of the weekend for me, personally, was to present FDF's first ever development session, where we workshopped Ellen K. Graham's gorgeously ambitious play Loki's Monstrous Children. Ellen is a spectacular writer, whose work continues to inspire and drive me to be a better playwright myself.
On Tuesday, October 22 I had the great pleasure of co-hosting another installment of Rough Draught Playwrights' Open Mic Theatrical Playground, where several of my incredibly talented friends, including Jessica Austgen and Frank Oteri, presented works-in-progress.
Then, from Thursday through Sunday, Benchmark Theatre produced its third annual Fever Dream Festival, a yearly celebration of science fiction, fantasy, and horror playwriting that I curate for the company. This year, we had over 400 submissions from all over the world and it was an exciting, eclectic mix of scripts that ultimately made it to our stage. The highlight of the weekend for me, personally, was to present FDF's first ever development session, where we workshopped Ellen K. Graham's gorgeously ambitious play Loki's Monstrous Children. Ellen is a spectacular writer, whose work continues to inspire and drive me to be a better playwright myself.
September 2019
Pen & Podium: Jesmyn Ward: Every event I have the privilege of hosting for Pen & Podium makes me love my life anew. I seriously can’t imagine what my world would feel like without books, authors, and readers. On Monday, September 23, I had the great privilege to host National Book Award-winning author Jesmyn Ward, who presented a powerful, thoughtful, and very personal lecture about her coming-to-writing story as well as her thoughts on “blood dread” and “narrative ruthlessness," two concepts that made a huge impression on me and will, no doubt, have an impact on my own writing.
Dramatists Guild of America -- I know I already wear a lot of hats, but I was just invited to take on a new role that I’m really excited about! Beginning this month, I’ll be one of two Dramatists Guild Ambassadors for the Colorado region, where I’ll be supporting our Regional Rep Josh Hartwell with programming to ensure that dramatists in all parts of the state can feel actively engaged in the DG community. I’m thrilled to be working with Josh, the Guild, and my fellow ambassador (and new friend!) Lynn Evertowski!
New Play Development Roundtable -- What an extraordinary evening we shared on September 9 as Rough Draught Playwrights hosted a roundtable conversation about the new play development in Colorado with several companies committed to Front Range playwriting. It was so exciting and informative to discuss the state of local playwriting with artists from 5280 Arts Coop, Boulder Ensemble Theatre Company, And Toto too Theatre Company, Questionable Theatrics, Athena Project Festival, Denver Center for the Performing Arts, and Theater 29.
Dramatists Guild of America -- I know I already wear a lot of hats, but I was just invited to take on a new role that I’m really excited about! Beginning this month, I’ll be one of two Dramatists Guild Ambassadors for the Colorado region, where I’ll be supporting our Regional Rep Josh Hartwell with programming to ensure that dramatists in all parts of the state can feel actively engaged in the DG community. I’m thrilled to be working with Josh, the Guild, and my fellow ambassador (and new friend!) Lynn Evertowski!
New Play Development Roundtable -- What an extraordinary evening we shared on September 9 as Rough Draught Playwrights hosted a roundtable conversation about the new play development in Colorado with several companies committed to Front Range playwriting. It was so exciting and informative to discuss the state of local playwriting with artists from 5280 Arts Coop, Boulder Ensemble Theatre Company, And Toto too Theatre Company, Questionable Theatrics, Athena Project Festival, Denver Center for the Performing Arts, and Theater 29.
August 2019
Incessant Hum: Beethoven 2020
In 2020, as the world celebrates the 250th anniversary of Ludwig van Beethoven's birth, many symphonies, orchestras, and music ensembles are creating programming to pay tribute to the composer's legacy and his contributions to our world. I'm so pleased to announce that the Colorado Chamber Players have commissioned me to write the book for the world premiere of a new music/theatre hybrid in honor of Beethoven.
Directed by Mare Trevathan, INCESSANT HUM will explore the emotional world that Beethoven experienced, as he lost his hearing and his ability to perform as a pianist and conductor.
As a profoundly hard of hearing artist, this collaboration means the world to me, and I hope it will provide audiences with an exciting, dynamic, and unique point of entry into the genius of Beethoven's later works, all of which he wrote when he was deaf.
A Date With Destiny -- Denver, Colorado -- On Sunday, August 4, the lovely folks at One Night Stand honored me, once again, by including my short play A Date With Destiny in their program One Night Stand Presents Law & Disorder.
Directed by Mare Trevathan, INCESSANT HUM will explore the emotional world that Beethoven experienced, as he lost his hearing and his ability to perform as a pianist and conductor.
As a profoundly hard of hearing artist, this collaboration means the world to me, and I hope it will provide audiences with an exciting, dynamic, and unique point of entry into the genius of Beethoven's later works, all of which he wrote when he was deaf.
A Date With Destiny -- Denver, Colorado -- On Sunday, August 4, the lovely folks at One Night Stand honored me, once again, by including my short play A Date With Destiny in their program One Night Stand Presents Law & Disorder.
June 2019
What You Will Nominated for a Colorado Theatre Guild Henry Award
On Monday, June 17, the Colorado Theatre Guild announced nominations for their 14th Annual Henry Awards, which honors outstanding achievements during the past season in Colorado theatre. The awards are named for acclaimed producer Henry Lowenstein and nominations are determined through a judging process conducted by more than 100 statewide peer professionals, academics/educators and other theatre lovers. I'm beyond excited to announce that What You Will has been nominated for "Outstanding New Play," alongside works by Jessica Austgen, Amanda Berg Wilson, Donetta Lavinia Grays, Itamar Moses, and Andrew Rosendorf.
Awards will be presented at a gala on Monday, July 22 at the beautiful Lone Tree Arts Center. For more information about the awards and the gala, click on the photo above, which will bring you to a recent BroadwayWorld.com article about the Henrys.
Awards will be presented at a gala on Monday, July 22 at the beautiful Lone Tree Arts Center. For more information about the awards and the gala, click on the photo above, which will bring you to a recent BroadwayWorld.com article about the Henrys.
Sunday, June 2 was an absolutely wonderful evening at Vintage Theater in Denver, where the lovely folks at One Night Stand Theater presented One Night Stand with Jeffrey Neuman, an evening of my short works, one-acts, and monologues. The anthologized evening tackled all my favorite subjects -- love, sex, and mortality -- in many different ways (drama, comedy, and complete absurdity) and featured some of my plays that've never before been performed in my beloved home state. We played to a sold out house and raised almost $2,000 for The Denver Actors Fund, an organization that means the world to me. Thank you to all the actors and directors who gave their talents to the show and to all of the people who came out to support it. And, a very special thanks to John Moore for all of his hard work at DAF and for his amazing photos of the event.
May 2019
Pen & Podium, Wednesday, May 2:
And, just like that: another season of Pen & Podium comes to a close. We couldn’t have asked for a better way to cap off this amazing year than with an intimate and fascinating lecture from presidential historian Michael Beschloss, who brought such intelligence, insight, humor, and gentlemanly warmth to our stage.
And, just like that: another season of Pen & Podium comes to a close. We couldn’t have asked for a better way to cap off this amazing year than with an intimate and fascinating lecture from presidential historian Michael Beschloss, who brought such intelligence, insight, humor, and gentlemanly warmth to our stage.
March 2019
Denver Center Theatre Company Announces Playwrights' Group Residency
Building upon its 40-year commitment to new-play development, the Denver Center Theatre Company has announced the establishment of The Playwrights' Group to foster the work of Colorado playwrights. I'm so excited to have been invited onboard as one of the four fellows for this exciting inaugural venture. Click on the photo below for a link to an article with full details about the project, its goals, and its aims.
Assisted Living to ENCORE at New American Theatre
Los Angeles, California -- Assisted Living was a tremendous hit during New American Theatre's 2018 festival of new plays that NAT has selected it as one the BEST one act plays from the last ten years and will be remounting it for an encore run from March 10-March 31.
February 2019
Colorado New Play Summit Local Playwrights’ Slam
Building on the success of What You Will, I was asked to represent Benchmark Theatre at the Colorado New Play Summit, where I presented a piece from of a new work-in-progress called (tentatively) Discreet 44. I had the great pleasure of sharing the stage with playwrights from 5280 Artist CoOp, Curious Theatre Company, And Toto too Theatre Company, and Local Theater Company. A special thank you to John Moore for capturing this photo of my "This Is What I Look Like When I Try To Act" face.
Dramaturgy Round Table
On Valentine's Day, Literary Managers and Dramaturgs of the Americas (LMDA) and Denver Center for the Performing Arts partnered for a live (and live-streamed) panel with an all-star group to talk about what dramaturgy looks like in Colorado and how we are working to raise the value of dramaturgy as a community. I was thrilled to have been asked to participate in this panel discussion and learned so much for the amazing group of people with whom I shared the stage.
Building on the success of What You Will, I was asked to represent Benchmark Theatre at the Colorado New Play Summit, where I presented a piece from of a new work-in-progress called (tentatively) Discreet 44. I had the great pleasure of sharing the stage with playwrights from 5280 Artist CoOp, Curious Theatre Company, And Toto too Theatre Company, and Local Theater Company. A special thank you to John Moore for capturing this photo of my "This Is What I Look Like When I Try To Act" face.
Dramaturgy Round Table
On Valentine's Day, Literary Managers and Dramaturgs of the Americas (LMDA) and Denver Center for the Performing Arts partnered for a live (and live-streamed) panel with an all-star group to talk about what dramaturgy looks like in Colorado and how we are working to raise the value of dramaturgy as a community. I was thrilled to have been asked to participate in this panel discussion and learned so much for the amazing group of people with whom I shared the stage.
January 2019
On The Horns of a Dilemma got a little more love in January after some successful runs on both sides of the Atlantic. My little "Play About The Rhino" ran at Over Our Head Player's annual Snowdance Comedy Festival from January 25-February 24 in Racine, Wisconsin. On the tail end of the run (pun sort of intended), I learned that Horns was also named "Best New Comedy" at the TOMY Awards (that's with an "M," not an "N," unfortunately) for its November run in Kilkenny, Ireland at What's On Tom Productions.
December 2018
On November 30, Benchmark Theatre presented the world premiere of my newest play, What You Will, in Denver. The play tells the story of Adam, a forty-something gay man living a quiet but seemingly contented life. He’s married to a man he truly loves and runs a stationery shop, where he expertly designs custom wedding invitations. However, when he simultaneously meets two different individuals — a rather seductive married man in a gym steam room and a joyful, yet frenetic bride in desperate need of assistance — he begins to realize that marriage may have clear boundaries, but it certainly does not have very clear rules.
The play ran until December 22 to nearly sold out houses every night, earning generous praise from audiences and critics, including,
The play ran until December 22 to nearly sold out houses every night, earning generous praise from audiences and critics, including,
- "A witty, incisive and sometimes prurient reflection on loyalty, truth, marriage and relationships ..... “What You Will” gives a nod and a wink to “Twelfth Night,” but the genius of Neuman’s story – and it is stunning – lies in examining the fabrications large and small that we tell ourselves and those dearest to us.". ~ The Denver Post, Claire Martin
- "Literate and deeply felt .... You’re likely to find yourself holding your breath and then tearing up at the answers, because the truths Neuman uncovers strike deep." ~ Westord, Juliet Wittman
- "A powerful play with a powerful message." ~ Marlowe's Musings, David Marlowe
- "The dynamics between characters and the universal issues that are highlighted are reason enough to go see the show." ~ Addison Herron-Wheeler, Outfront Colorado
November 2018
Marginalia at Bite Size: An Evening of Micro Theatre at Bookbar
It's been so joyful to see this play brought to vivid life by such a consummate, thoughtful, generous, and talented production team. Emma Messenger and Regan Linton have been wowing audiences as they trade off in the roles of J and M in the play, which was skillfully directed by Mare Trevathan. In her Westword review, Juliet Wittman calls the evening a "theatrical feast," writing that my play "has captured some of the mystery and magic of used books. Marginalia," she writes, "communicates a sense of wonder about the connection between writer and reader, and between a current reader and those unknown souls from other times and places who perused the book before her."
It's been so joyful to see this play brought to vivid life by such a consummate, thoughtful, generous, and talented production team. Emma Messenger and Regan Linton have been wowing audiences as they trade off in the roles of J and M in the play, which was skillfully directed by Mare Trevathan. In her Westword review, Juliet Wittman calls the evening a "theatrical feast," writing that my play "has captured some of the mystery and magic of used books. Marginalia," she writes, "communicates a sense of wonder about the connection between writer and reader, and between a current reader and those unknown souls from other times and places who perused the book before her."
Kindred Spirits at the Exit Theater in San Francisco
BESTIES: They say some friends come and go like waves in the ocean, but best friends stick around like an octopus on your face. Let's face it, sometimes friendship can be sticky. (What is a brojob anyway?) Left Coast Theatre Company's newest collection of hilarious and heartfelt original shorts will have you reaching for the tissues and crying with laughter as they share six original tales of the unpredictability and wackiness of queer friendships in the modern age. The anthologized evening, includes my one-act play, Kindred Spirits, starring Nick Leonard and Eric Berglund, and directed by Christian Heppinstall.
Kindred Spirits was important for me to write, because I think there are so few portrayals of gay men of or past a certain age dealing with issues of love, intimacy, and sex. Gay relationships and queer identity are definitely finding representation in mainstream entertainment; but, how these issues play out as we age, as we get older, as we mature with our friends and our partners is a terrain that’s really yet to be fully explored in theater, movies, and TV. Kindred Spirits is my first, but probably not my last attempt at tackling … well, let’s just call it Senior Sexuality.
Additional Productions in November & December:
As if I couldn't be riding a higher wave of excitement given the premiere of What You Will and the concurrent productions of Marginalia and Kindred Spirits, there will also be other readings and productions of my work occurring between now and the end of the year, including Assisted Living at The New American Theatre in Los Angeles (11/4-11/180, On The Horns of a Dilemma by What's On Tom? Production in Kilkenny, Ireland (11/8- 11/17), On The Rocks at both Queens Theatre in New York (11/18-11/19) and Questionable Theatrics in Denver (11/26), as well as Dangling Participles at Metropolitan State University in Denver, beginning 12/6.
BESTIES: They say some friends come and go like waves in the ocean, but best friends stick around like an octopus on your face. Let's face it, sometimes friendship can be sticky. (What is a brojob anyway?) Left Coast Theatre Company's newest collection of hilarious and heartfelt original shorts will have you reaching for the tissues and crying with laughter as they share six original tales of the unpredictability and wackiness of queer friendships in the modern age. The anthologized evening, includes my one-act play, Kindred Spirits, starring Nick Leonard and Eric Berglund, and directed by Christian Heppinstall.
Kindred Spirits was important for me to write, because I think there are so few portrayals of gay men of or past a certain age dealing with issues of love, intimacy, and sex. Gay relationships and queer identity are definitely finding representation in mainstream entertainment; but, how these issues play out as we age, as we get older, as we mature with our friends and our partners is a terrain that’s really yet to be fully explored in theater, movies, and TV. Kindred Spirits is my first, but probably not my last attempt at tackling … well, let’s just call it Senior Sexuality.
Additional Productions in November & December:
As if I couldn't be riding a higher wave of excitement given the premiere of What You Will and the concurrent productions of Marginalia and Kindred Spirits, there will also be other readings and productions of my work occurring between now and the end of the year, including Assisted Living at The New American Theatre in Los Angeles (11/4-11/180, On The Horns of a Dilemma by What's On Tom? Production in Kilkenny, Ireland (11/8- 11/17), On The Rocks at both Queens Theatre in New York (11/18-11/19) and Questionable Theatrics in Denver (11/26), as well as Dangling Participles at Metropolitan State University in Denver, beginning 12/6.
September 2018
Pen & Podium, Monday, September 24
I’ve been trying to pull together the right words to describe our spectacular evening with George Saunders, who was as smart as he was funny as he was genuine as he was generous. And, I can’t come up with them, the words, to convey the amount of kindness, magnanimity, humor, and intelligence he brought to our stage. So, I’ll let him speak for himself:
“Fiction is a kind of compassion-generating machine that saves us from sloth. Is life kind or cruel? Yes, Literature answers. Are people good or bad? You bet, says Literature. But unlike other systems of knowing, Literature declines to eradicate one truth in favor of another; rather, it teaches us to abide with the fact that, in their own way, all things are true, and helps us, in the face of this terrifying knowledge, continually push ourselves in the direction of Open the Hell Up.”
You Opened us the Hell Up, George, and it was amazing, inspiring, and one helluva a good time! Thank you for an unforgettable lecture, one of the best that Pen & Podium has ever hosted.
I’ve been trying to pull together the right words to describe our spectacular evening with George Saunders, who was as smart as he was funny as he was genuine as he was generous. And, I can’t come up with them, the words, to convey the amount of kindness, magnanimity, humor, and intelligence he brought to our stage. So, I’ll let him speak for himself:
“Fiction is a kind of compassion-generating machine that saves us from sloth. Is life kind or cruel? Yes, Literature answers. Are people good or bad? You bet, says Literature. But unlike other systems of knowing, Literature declines to eradicate one truth in favor of another; rather, it teaches us to abide with the fact that, in their own way, all things are true, and helps us, in the face of this terrifying knowledge, continually push ourselves in the direction of Open the Hell Up.”
You Opened us the Hell Up, George, and it was amazing, inspiring, and one helluva a good time! Thank you for an unforgettable lecture, one of the best that Pen & Podium has ever hosted.
Cast Announced for
Bite-Size: An Evening of Micro Theatre
Off-Center, the Denver Center’s most unconventional line of programming, announced casting for Bite-Size: An Evening of Micro Theatre. Bite-Size is an evening of original short plays and performance pieces by Colorado artists performed off-site at Denver’s BookBar and designed as a 360-degree experience, where audience members will journey through a variety of spaces in and around BookBar, located at 4280 Tennyson St., encountering each new play in an intimate group of just 10 other audience members.
Bite-Size will run for 24 performances from October 23 through November 18. This event is conceived and led by Meridith C. Grundei, who performed in the DCPA Theatre Company’s Frankenstein and was featured as one of Westword’s 2017 100 Colorado Creatives.
I'm thrilled that my newest short play, Marginalia, will be one of the five feature pieces in Bite-Size. Marginalia, directed by Mare Trevathan, will star Emma Messenger and Regan Linton (pictured above), who will trade off in the roles of J and M nightly, so every performance of the run will truly be a different play-going experience.
Tickets for Bite-Size are available at https://www.denvercenter.org/tickets-events/bite-size/.
Bite-Size will run for 24 performances from October 23 through November 18. This event is conceived and led by Meridith C. Grundei, who performed in the DCPA Theatre Company’s Frankenstein and was featured as one of Westword’s 2017 100 Colorado Creatives.
I'm thrilled that my newest short play, Marginalia, will be one of the five feature pieces in Bite-Size. Marginalia, directed by Mare Trevathan, will star Emma Messenger and Regan Linton (pictured above), who will trade off in the roles of J and M nightly, so every performance of the run will truly be a different play-going experience.
Tickets for Bite-Size are available at https://www.denvercenter.org/tickets-events/bite-size/.
August 2018
Rough Draught in HowlRound
So proud of Leslie C. Lewis' killer article about Rough Draught Playwright's commitment to supporting, engaging, and stregthening our Colorado playwriting community. Leslie, one of RDP's co-creators, does a beautiful job painting a picture of the night and giving a sense of the joyful collaborations and exciting networking that occurs at our quarterly open mic events. I encourage you to take a look at the article, post a comment if you're moved to do so, and consider creating a similar event in your own community. Please click on the photo below to link to the full article.
June 2018
"Lost and Found" -- Denver, Colorado -- On Sunday, June 3, the good people at One Night Stand will present one of my monologues in their showcase "Around the World," a theatrical spin around the globe through performance, scenes, and stories. My contribution, "Lost and Found," details one woman's experience literally (and figuratively) losing her husband in the Musée d’Orsay. This is the first time that "Lost and Found," which was published by JAC Publishing in their collection InterJACtions: Monologues at the Heart of Human Nature, Volume 3, will be performed in Denver, so I hope you'll consider coming out to see and support it as well as the other featured writers in ONS' latest production.
May 2018
Marginalia -- Denver, Colorado -- I'm beside myself with joy to announce that my newest short play, "Marginalia" has been selected by Off-Center, the Denver Center for the Perfroming Arts' most unconventional line of programming, for Bite-Size, an evening of original short plays and performance pieces by Colorado artists — all with bookish twists — to be performed environmentally this fall at Book Bar, an independent book store and wine bar in the Tennyson Street Arts District in Denver. The play is being described as a "charming, intimate and sly play," in which "a reticent customer at a used bookstore is confronted by the shop’s manager when caught defacing some books." The play will be directed by Mare Trevathan (Associate Artistic Director of Local Theater Company, www.maretrevathan.com), an amazing Colorado-based actor and director, with whom I've been hoping to work.
For more information about Bite-Size and and article about this exciting Micro-theater project, please click on the image above, which shows all of the featured artists selected by a blind submission process for this exciting endeavor.
For more information about Bite-Size and and article about this exciting Micro-theater project, please click on the image above, which shows all of the featured artists selected by a blind submission process for this exciting endeavor.
Pen & Podium -- Maria Semple -- "Writers must write. If you are a writer and you don't write ... you WILL become a menace to society." ~ Maria Semple
In all the years I've been working with authors, I don't think I've ever had more fun than I did on Monday, May 13, when I had the great privilege to host Maria Semple. It started in the car ride over, when we met and instantly starting gushing over and SQUEEing with one another about our mutual love of musical theater. Then, she presented one of the most entertaining lectures we've had at Pen & Podium in recent years -- funny, heartfelt and wildly, unashamedly, unabashedly genuine. After the lecture and book signing, Maria and I headed to a hotel bar, where we spent hours drinking Moscow mules and talking about art, books, and theater in a haze of ginger-scented laughter. (She also introduced me to my new obsession, Broadway Backstory, a documentary-style podcast that explores Broadway musicals from conception to premiere. Check it out at https://www.todaytix.com/broadway-backstory!)
Again, HOW did I get so lucky? I'm incredibly grateful for books, authors, and readers and to be given a platform through Pen & Podium to have these three amazing forces come together in my life.
Multiple Short Works -- Laramie, Wyoming -- Three of my short plays (Award-Winning Entry, Date with Destiny, and On the Horns of a Dilemma) were selected by students at the University of Wyoming at Laramie to be performed as part of the Theatre Department's Senior Directing Workshop. It was a pleasure working with the students and to model effective and collaborative playwright/director relationships with and for them.
In all the years I've been working with authors, I don't think I've ever had more fun than I did on Monday, May 13, when I had the great privilege to host Maria Semple. It started in the car ride over, when we met and instantly starting gushing over and SQUEEing with one another about our mutual love of musical theater. Then, she presented one of the most entertaining lectures we've had at Pen & Podium in recent years -- funny, heartfelt and wildly, unashamedly, unabashedly genuine. After the lecture and book signing, Maria and I headed to a hotel bar, where we spent hours drinking Moscow mules and talking about art, books, and theater in a haze of ginger-scented laughter. (She also introduced me to my new obsession, Broadway Backstory, a documentary-style podcast that explores Broadway musicals from conception to premiere. Check it out at https://www.todaytix.com/broadway-backstory!)
Again, HOW did I get so lucky? I'm incredibly grateful for books, authors, and readers and to be given a platform through Pen & Podium to have these three amazing forces come together in my life.
Multiple Short Works -- Laramie, Wyoming -- Three of my short plays (Award-Winning Entry, Date with Destiny, and On the Horns of a Dilemma) were selected by students at the University of Wyoming at Laramie to be performed as part of the Theatre Department's Senior Directing Workshop. It was a pleasure working with the students and to model effective and collaborative playwright/director relationships with and for them.
March 2018
Pen & Podium -- Tony Kushner -- On Monday, March 12, I had the incredibly ridiculous pleasure of hosting Tony Kushner onstage for a ninety minute interview at the Newman Center for the Performing Arts in Denver, Colorado. I don't know what to say or where to begin about Tony's grace, generosity, intelligence, and humor. I really don't. He was an absolute joy to host, and the 900+ member audience responded to his warmth with the most resounding applause, appreciation, and laughter.
Over the course of our conversation, Tony spoke candidly (and brilliantly!) about the art of playwriting, the joys and challenges of collaboration, the relationship (or lack thereof) between artistry and activism, and the beautiful "treacherousness" of words, among other things. At one point, as we giggled and gushed about musical theater, Tony even provided us with some thoughts and insights about his new screenplay for the upcoming Spielberg reboot of West Side Story.
It's always such a joy to meet an author you respect; but it is a pleasure-beyond-words when an author you respect also turns out to be a lovely human being and and artist worthy of both heroism and esteem.
In addition to a spirited and engaging conversation with Tony, the night was also very exciting because we finally announced our 2018-19 Pen & Podium season, which will include:
Over the course of our conversation, Tony spoke candidly (and brilliantly!) about the art of playwriting, the joys and challenges of collaboration, the relationship (or lack thereof) between artistry and activism, and the beautiful "treacherousness" of words, among other things. At one point, as we giggled and gushed about musical theater, Tony even provided us with some thoughts and insights about his new screenplay for the upcoming Spielberg reboot of West Side Story.
It's always such a joy to meet an author you respect; but it is a pleasure-beyond-words when an author you respect also turns out to be a lovely human being and and artist worthy of both heroism and esteem.
In addition to a spirited and engaging conversation with Tony, the night was also very exciting because we finally announced our 2018-19 Pen & Podium season, which will include:
- George Saunders,
- Amor Towles,
- Celeste Ng,
- Louise Penny, and
- David McCollough
Benchmark Theatre named "Best First Act" in Denver
March 31, 2018: In their annual "Best Of" issue, Denver's acclaimed alt weekly, Westword, names Benchmark Theatre the "Best First Act" for its bold and noteworthy first season. The citation reads, "As the first offering in its new and permanent space in Lakewood (first pioneered by Edge), Benchmark presented A Kid Like Jake, a thoughtful and well-executed play about a four-year-old who loves princesses and wants to dress as Snow White for Halloween, and the efforts of his worried parents to get him into a first-rate preschool. The rest of this inaugural season will introduce local audiences to interesting and critically acclaimed works that are still relatively unknown here, along with a new play by local author Jeffrey Neuman. And then there's the second annual Fever Dream Festival, a "celebration of science fiction, fantasy and horror featuring new and original works." Helmed by actors Haley Johnson and Rachel Rogers, Benchmark promises to bring an entirely new sensibility to town."
February 2018
Pen & Podium -- Katherine Boo -- "Hope is not a fiction."
I can't tell you how inspirited, inspired, and entranced I was by Katherine Boo's lecture at Pen & Podium on February 6. Rather than speak about her writing and her process, instead Kate told us about the lessons she's learned over the years by dedicating herself and her career to active listening, exercising empathy, and uncovering the stories that remain untold and the injustices that remain unchallenged. "Injustice anywhere," she reminded, "is a threat to justice everywhere."
I can't tell you how inspirited, inspired, and entranced I was by Katherine Boo's lecture at Pen & Podium on February 6. Rather than speak about her writing and her process, instead Kate told us about the lessons she's learned over the years by dedicating herself and her career to active listening, exercising empathy, and uncovering the stories that remain untold and the injustices that remain unchallenged. "Injustice anywhere," she reminded, "is a threat to justice everywhere."
